Tuesday, December 31, 2013

More Color Transparencies

The weather over the holidays has been less than ideal.  I was hoping to be able to get outdoors and enjoy the winter weather.  We have certainly experienced winter weather, but is has been less than enjoyable. Mostly it has been cold, with quite a bit of snow.  I have been forced to retreat to my darkroom, where I have spent the last few days processing my backlog of color film.  After my experience with the outdated Kodak E-6 chemistry, I mixed up a fresh batch and tried again.  I think it went a little better...  Though between my issues with being color blind, and the outdated film that I tend to shoot, the funky filtration that I tend to use, my lack of experience and tendancy to go overboard with Photoshop, and the fact that this batch of chemistry was newer, but still a little out of date... the results are still open to interpretation.  Here is the latest batch of color transparencies, all shot on 4" x 5" large format film.  Some of these date back to early 2012, while other are from the recent Utah trip...

Anna at Red Rock Coulee, 2013

Old Grain Auger, 2012

Bankhead Aspens, 2012

Beauty Creek, 2012

Box Canyon, Kodachrome Basin, Utah, 2013

Bryce Canyon, Utah, 2013

Rear Window, Buick, 2012

Capstones, Southern Alberta, 2012

Classic Stumps, Second Vermilion Lake, Banff, 2012

Elk Island Pond, 2012

Dead Cottonwood, TL Bar Ranch, 2012

Gnarly Tree, Kodachrome Basin, Utah, 2013

Group of Seven, 2012

Winter Jackets, 2012

Kananaskis Rapids, 2012

Lodgepole Burn, 2012

One Plus Four - 2013

Greasewood and Rills, 2012

Ram Falls, 2012

Three Boulders, Red Rock Coulee, 2013

Shattered Boulder, Red Rock Coulee, 2013

Chunks, Red Rock Coulee, 2013

Riverbend, South Saskatchewan Badlands, 2012

Slot Canyon, Utah, 2013

Stanley Falls, Jasper, 2012

Stone House Ruin, 2013

Totem Peak, 2012

Hoodoos above The Wave, Arizona, 2013

Pools at The Wave, Arizona, 2013

The White Pocket, Arizona, 2013

The White Pocket, Arizona, 2013

The White Pocket, Arizona, 2013

Wildflowers, TL Bar Ranch, 2012

Winter Skeletons, southern Alberta, 2013

Wire Pass Exit, Utah, 2013

Aspen Trunks, Elk Island National Park, 2013

I have shared many of these images in previous posts, as Black and White's.  I think that they look very different in color.  Sometimes the tonality, form and contrast of the monochrome image make for a stronger composition.  At other time the color is the image, and it just doesn't work in black and white.  For this reason I have always carried some color film with me when I am out hiking.  I also have a couple of large 8"x10" transparencies that I just processed, as well as some smaller roll film negatives.  Yesterday I also processed a large batch of C-41 color negative film.  Over the coming weeks I will get around to scanning all of this stuff and posting some of the better images for comment.  Now that this processing is out of the way I can clean up my darkroom, pack up my Jobo processor, and move on to processing and printing some of my other negatives.  As long as the weather stays as cold as it has, there should be ample opportunity to get back to the darkroom.  If it does every warm up I will take a break and head out to do a little winter photography.


Saturday, December 28, 2013

Color Film Processing

Over the past week or so I have been working at processing my backlog of color transparency film.  This is mostly large format 4" x 5" sheet film, but there are also a couple of sheets of 8" x 10" film, and several rolls of medium format film.  I started out by mixing up a batch of Kodak E-6 chemistry.  I was a little leary... as the expiry date on this batch was 2008.  I decided to give it a try anyway, but then made the careless mistake of not properly warming up the processing tank prior to starting the processing sequence.  My first four tanks of film were all too dark, and the colors were somewhat off.  I attempted to salvage these images by scanning them and attempted to correct the colors in Photoshop.  Of course as I am color blind this is a bit a challenge and reinforces my need to stick to Black and White.  Here are the results of that first batch.  I decided to set aside this outdated chemistry and mixed up a fresher batch of Tetenal Colortec 3-bath E-6 to continue with processing the rest of my film.
I found this task particularly challenging as not only to I struggle with being color blind, and unable to determine between certain colors, but also, most of these images were shot with a Cokin Blue/Orange color polarizing filter, which imparts a reddish to purplish tone to many of the images.  On top of these issues, the chemistry was out of date, and in some instances the film was also out of date, which also imparts some unusual color casts.  The next couple of batches that I processed after Christmas were a lot more consistent.

Southern Alberta Badlands, 2011

Broken Cottonwood, 2009

 Crooked Trees, Saskatchewan, 2011

Dead Tree and Hoodoos, Kootenay Plains, 2010

Elk Creek [taken by daughter Hailey], 2010

 Flooded Cottonwoods, 2009

Four Spruce and Ex Coelis Mountian, 2010

Glass Block, 2010

Cottonwood Leaves, 2010

Confectionary. 2010

Abandoned Cars, 2010

Orkney Viewpoint, 2010

Elk Creek Rapids, 2010

Auto Dealership, 2010

Trees, Snow and Shadows, 2011

Spaca Moskalyk,2011

 Sunflower Field, 2011

Sunflowers, 2011

Upper Waterfowl Lake, 2011

Badlands, 2011

Spaca Moskalyk, 2011

Creek, Castle Mountain, 2011

 Backlit Aspens, 2011

Lower Waterfowl Lake, 2011

Medicine Lake, 2011

Mt. Cephren and Lower Waterfowl Lake, 2011

Mud Buttes, 2011

 Trunks, Rock and Leaves, 2011

Stone Wall and Tree, 2011

Window and Trunk, 2011